Actor John Githui, well known for playing Ras in the hit television series "Mother in Law," has opened out about the reasons he left the hit program.
He expressed that his talent had been evident since his youth, and after completing secondary school, he pursued a path to the Kenya theater. It was a fortuitous day when his cousin facilitated a connection with a director, leading to his inclusion in the industry. Following this, his talent gained recognition, and he transitioned to television screens, a significant milestone at the time. He made a move to KBC and Kameme, engaging in voiceovers for a considerable period.
He delivered a remarkable performance in the movie "Heart and Soul," and in his final show, he collaborated with Ken Wa Kuraya and others, forming a strong friendship with Ken. This connection became his entry point into the River Road acting industry, with Ken Wa Kuraya guiding him along the way. When he auditioned for Citizen, he didn't go through the usual interview process because his role had already been pre-determined. The show gained widespread attention, achieving significant success in Kenya.
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He noted that there were numerous challenges in the television industry, and despite their significant contributions, there was a lack of appreciation. The realization that salaries remained stagnant and any attempt to request an increase resulted in immediate termination prompted him to reflect. Feeling a lack of growth in the television sector, he made the decision to explore alternative avenues. He identified a different opportunity that offered better financial prospects than acting at Citizen, prompting his departure from the network.
He emphasized that individuals on television may be widely recognized, but in their personal lives, they often face financial challenges. Discussing Omosh, he asserted that Omosh had a decent life, but false narratives circulated among Kenyans. Additionally, he highlighted the absence of job security at Citizen TV, pointing out the need to address the current practice of signing per-episode contracts.
